Eisner currently teaches at Stanford University.
His beliefs are grounded in the philosophies of Dewey, and he agrees
that there is an important distinction between education and
learning.
Eisner argues that the teaching of small manageable pieces of
information prohibits students from putting the pieces back together
and applying them to new situations. Briefly, Eisner believes that
the evaluation concept is too complex to be broken down to a mere
list of objectives (a quantitative evaluation). The "Connoisseur
Model" is named after his work. In this model, Eisner claims the
knowledgeable evaluator can discern good from bad education, using a
combination of savvy and experience. He contends that there are some
valuable goals of education such as appreciation of art, open-minded
skepticism of science that are not easily broken down into small bits
of manageable information which can be taught and reinforced (ala
Skinner). He goes on to say as long as we evaluate students based on
the small bits of information students will only learn small bits of
information. Eisner contends that evaluation has and always will
drive the curriculum. If we want students to be able to
problem-solve, then we must value and evaluate problem solving, a
skill which cannot be learner by rote practice (Gagne).
Eisner states: the aim of scholarship in education is not
disinterested knowledge-even if there were such a creature-but the
improvement of schooling (online). In his article,, he argues
that acquiring a critical consciousness of method or knowledge is
unlikely when a particular paradigm is so dominant that is has not
competitors. What is pervasive often goes unexamined. When
alternative are suppressed or unavailable, we tend to accept what is
accepted (Eisner, ) He argues that it is difficult to
imagine a more potent lever for changing the priorities of schools
than the evaluative methods we employ. What we count counts. What we
measure matters. What we test, we teach (The Meaning of
Alternative Paradigms for Practice ).
Eisner gave us both the term and the theory of educational
connoisseurship, or the art of appreciation. According to Eisner,
connoisseurs can enjoy and understand the qualities of a performance,
of a food, of an act, of a text, in private to themselves. Eisner
contrasts the act of a connoisseur with those of a critic. He
contends that critics are people who transform the contest of
connoisseurship into a public language that makes it possible for
others less sophisticated in that particular domain to notice the
qualities that the critic writes about (The Role of Teachers in
Educational Reform).
Later Eisner became interested in the combination of various (separate) disciplines such as art (he has served as president of the National Art Education Association) and science education. He also worked with inner city African-American children which proved critical in his understanding of the relationship between education and the arts.
Selected Books
The Enlightened EyeDo American Schools Need Standards?
Cognition and Representation